WAMU presents: The Diane Rehm Show

Diane Rehm

Diane Rehm

Last Tuesday (I know, I know it’s late) WAMU 88.5, American University Radio, invited the Blo’ to see a live taping of the Diane Rehm Show with a special guest, Carl Kasell. If you’re an NPR aficionado, those two names are near and dear to your heart. Carl Kasell was the voice of NPR’s Morning Edition from 1979 until December 2009. Diane Rehm has been a fixture on WAMU forever, starting on their morning talk show (later renamed The Diane Rehm Show) the same year as Kasell’s introduction to NPR. Those of you who are less likely to tune in for hardnews and interviews might recognize Kasell from Wait Wait…Don’t Tell Me, where he has served as an official judge and score-keeper since 1998.

Kasell has a storied  history at NPR. But he cut his chops as a music DJ in Baltimore, where he worked for a contemporary country station. He landed a gig doing weekend news at WABA in Arlington friend’s request, having no personal interest in news radio, thinking it “boring.” However, his vocal delivery and newswriting skills caused him to be a part of the team that developed Morning Edition.

Listening to these colleagues talk was like hanging out with your two most interesting and hilarious older relatives — the ones who know magic tricks, have the best stories, and have seen it all (another question had them recount their experiences the day President Kennedy was assassinated). Rehm, of course, is a master interviewer, and Kasell was an amazing guest. Rehm allowed the audience to ask questions and weaved them in the overall narrative of Kasell’s life seamlessly.

When asked about his hobbies, Kasell pulled a red handkerchief out of thin air, saying he had an on the side show called The Magic Edition. “[A few]  months ago, I sawed Roxanne Roberts in half!” After his handkerchief trick, Rehm asked him “What kind of pleasure does that give you?” Kasell grinned and replied, “I like the oohs and aahs.”

The audience was filled with late 30s+ people, the core demographic for NPR listeners, but neither Kasell or Rehm seemed concerned about the future of radio as a relevant medium. “I think it’s going to be there just as strong as it’s ever been,” said Kasell, with Rehm adding, “[There are] so many more opportunities…being without radio is just an impossibility.” Kasell also pointed to the fact that WW…DTM garners three millions listeners on air, and one million subscribers to the podcast, which also features Mo Rocca and Paula Poundstone. “I think we’re okay,” he said.

There were two moments, however, when old met new with the audience. A high schooler came up to the microphone to tell the two on stage that he managed to get his friends listening to WW…DTM, and used it as a gateway drug to get them to listen to more serious programs. The touch-of-gray audience burst into applause. A young woman came to the mic near the end of the show, but she had a grievance to air. She informed Kasell of their status as friends on Facebook (“Ah! I thought you looked familiar!”). She told him that he had RSVP’d “Maybe” to her birthday party that year, but had crushed her hopes by never showing up. Kasell laughed and then promised, “Next year.”

If you’re interested in hearing more, the entire broadcast is available online at the WAMU site. [Stream it here!]

Photos: Kathy Griffin at Borders

Did you know Kathy Griffin did a book signing at Borders yesterday? I didn’t either, since she tweeted a lot about signing at Barnes & Nobles, and then I forgot about it. Sorry, dear readers. However, intrepid readers and sometimes contributors Amanda Notarangelo and Ryan sent us their snapshots. It took them three hours to meet her, but she was apparently very gracious and happy to meet with her fans. If you’re sad you missed out, you can still spend an evening with Kathy at the DAR Constitution Hall tonight or Saturday night. Tickets are still available for either show.

2 photos under here.

Jersey Shore at McFaddens – High Five!

OK, so after finding out about the $40 cover at McFadden’s, a couple of my law school friends and I went to 51st State for a few hours.  Left 51st around midnight and decided to give McFadden’s another shot.  We lucked out…by this time, there was no cover and no line (though we assumed that Pauly and JWoww were probably gone).

When I bought a round of beers downstairs, the girl selling them said that they were about to come downstairs…AND THEY DID.

They just stood behind the DJ in the DJ booth downstairs for a while as a fist pumping contest went on (I would have won, but no dudes allowed).  I’m quite good at positioning myself to shake hands with famous people, and as JWoww and Pauly walked past me upstairs on their way out, I held out my hand, and Pauly high-fived it.

I feel like I’ve climbed the highest mountain any of us can aspire to.

Event Review: Joshua Bell at the Kennedy Center

Editor’s Note: This post is from our sometimes contributor Andrew!

Classical music and celebrity aren’t often thought of as being synonymous (at least not since the days of Mozart, or perhaps since Amadeus hit movie screens in 1984). But Joshua Bell may be the closest thing to a modern, American classical music rock star – after all, who else besides Bell can say they’ve played with nearly all of the world’s major orchestras; won both a Grammy and classical music’s highest honor, the Avery Fisher prize; contributed to the soundtrack for Dan Brown’s Angels and Demons AND dated a Tony- and Emmy-award winning singer/actress (in Bell’s case, the effervescent Kristin Chenoweth)?

Since only Bell fits those descriptions, it is no surprise that much of the pre-concert chatter at the Kennedy Center before the first of Bell’s three-concert tour with the National Symphony Orchestra focused on the man, the myth, the legend, the violinist.

But, as conductor Hugh Wolff reminded the audience in a brief pre-concert conversation, before Bell could take them “on a trip through sunny Spain” via Edouard Lalo’s Symphonie espagnole, he would take a voyage through Scotland via James MacMillan’s Í (A Meditation on Iona).

Much like the piece’s namesake, a gray, inhabitable island nestled between the Scottish and Irish coasts, the very modern Meditation, written just 13 years ago, captures and emphasizes this darkness through some very modern composing, including the shrill screeching of violins and drawn out crescendos, and through the use of some very modern instruments in the percussion section, including a thundersheet (a sheet of metal that makes a sound exactly as its name implies), a steel drum and steel pans.

While not “unbearably dull” as FoBoBlo contributor Rob feared the piece might be, it was not exactly “exceptionally gorgeous” as he had hoped. Rather, it fell somewhere between “too modern to understand fully…right?” and “music that could have been used in There Will Be Blood or on Lost.” There were hints of clarity – the low basses rhythmically mimicking the sound of the waves as Wolff alluded to before the performance – but by and large, MacMillan’s composition was perhaps a bit too conceptual. Either that, or Iona is one incredibly terrifying island of doom.

While the piece was relatively well-received, perhaps because of its modernity (a gentleman in front of me commented to his wife on his amazement at the use of steel drums), the audience was clearly saving the bulk of their applause for Bell, whose very warm reception was seemingly built up by the anticipation of his performance.

More on the concert under the cut.

Event Review: Helen Thomas at GWU

Editor’s Note: This piece was written by our sometimes correspondent Mallory Thompson!

Helen Thomas speaksWhen she first joined the White House press corps, not many other women had been given the chance to cover the president.  But 57 years and eight Presidents later, Helen Thomas is still there. “I was the man who came to dinner,” she told GWU students at the Elliott School last night.

The longest serving member of the White House press corps, Helen Thomas began covering wrote for United Press International beginning with President John Kennedy’s inauguration in 1960 and covers the Obama administration today as a columnist for Hearst newspapers.

Bringing her signature white pearls and fiery personality, the legendary journalist reflected on her years as a White House correspondent.  The lecture was based on her new autobiography, Listen Up Mr. President: Everything You Always Wanted Your President to Know and Do, and was sponsored by WRGW News, SMPA and GWTV.

Thomas first joined UPI in 1943 writing radio wire copy and rose in the wire service’s ranks until eventually becoming White House bureau chief.  She left UPI after a change in ownership in 2000.  Less than two months later, she joined Hearst Newspapers.

While she has always had strong opinions about the administrations she was covering, none of it made it into her copy for UPI.  But at Hearst, she was asked to inject opinion into her pieces.  She told the crowd, “Now I wake up every morning and ask myself, ‘Who do I hate today?’”

She shared many of those opinions last night – starting her lecture with a message to President Obama – “Get us out of the wars that President Bush started,” she said. “We should declare a victory and withdraw.”  She also expressed her desire for a single-payer healthcare system and called legislators in opposition to the bill hypocrites since they benefit from one of the best healthcare plans in the country.

Thomas also took time to share some insights about the Presidents she covered.  Her first President, JFK, was her favorite.  She said he was inspired, grew while in office and learned from his mistakes.  She said Clinton had good intentions, but became “entangled with an intern.”  On George W. Bush, she said, “he wanted to be a war president and he was – his dreams were fulfilled to much of our horror.”  And on President Obama, she said, “his heard is in the right place, but he lacks courage” especially when it comes to the healthcare debate.

Photo courtesy of WRGW, used under a Creative Commons license [flickr stream]